Wins & Fails: Spider-Woman 2 Review
Story: Brian Michael Bendis
Art: Alex Maleev
- After issue one being laden with background and recap of the happenings of the so-called “Spider-Woman” who turned out to be the Skrull Queen Veranke, this issue gets down to business, for the most part.
- Once again, as per usual, Alex Maleev’s art is wonderful to look at. It radiates emotion and is vibrant in all the right places to give you the feel of the setting in a gripping fashion.
- Maleev’s art is very life-like in many of the frames. The noir-esque feel to his art lends itself to the settings and character seemlessly.
- Bendis’ writing in this book is a bit different from that of New, Mighty, and Dark Avengers. I’m sure the parallel has been made elsewhere, but it’s similar to his work on Daredevil and Alias. Solo books are where Bendis has the freedom to write in his most fluid style and build the introspective and micro-aspects of his characters.
- I really like the layout of this issue, it’s simplicity allows the art to speak (or scream, if you please) for itself. Particularly, the page in the parking garage where the panels form a “T” to expose Jessica’s face. I thought it was a nice touch and worked nicely with the pacing as well.
- The ending to this issue is just the kind of ending that we should come to expect from this type of book. I’m looking forward to issue three.
- Jessica’s self-loathing is a bit nauseating, however, I feel that Bendis is doing it so the reader roots for her to claw her way out of the emotional hole she’s stuck in.
- Some of the backgrounds in this issue were not as detailed as the ones in the previous issue. Not all of them, but some felt one-dimensional and left something to be desired.
- One of the pages of the parking garage chase scene seemed to be a bit off. The panel showing Drew leaping the circular gap seemed much smaller than the same gap in the next panel.