Wins & Fails: Dark Avengers 12 Review
Dark Avengers 12
Story: Brian Michael Bendis
Art: Mike Deodato
Colors: Rain Beredo
Painted Pages: Greg Horn
- I really dig how this issue begins. Greg Horn’s painted pages are (sadly) limited to 2 1/2 in this issue, and the first page is the best page in the book. Norman is webbed up by an evil Spidey as he pleads for his life. Horn’s painted pages in this issue and issue 11 were definitely eye candy, and worked well in the story.
- We actually learn something new about Sentry, and apparently it’s an epiphany for him as well. After being killed by Molecule Man in the previous issue, he’s (shocking, I know) back in this issue, and is in control of himself and has a solid grasp on his powers. A little understanding can go a long way. What does this mean for Osborn?
- There’s a moment of comedy between Victoria and Norman as he’s down for the count. I rather enjoyed it. You’ll know what I’m talking about when you read it.
- Mike Deodato’s art is once again easy on the eyes. His layout helps the story flow and makes for nice looking pages that read fluently.
- Moonstone references Scarlet Witch. Is Bendis dropping hints of her return or just nonchalantly mentioning her. She could be Norman’s secret weapon in Siege. Who knows?!
- After last issue, we learned that Victoria likes to stir things up a bit, and she continues to do so in this issue when she confronts Normie about his mental health, or lack thereof.
- The final page reveals something that most people should have seen coming, but somehow I was dumb enough to have not guessed it exactly. Remember, these are villains that we’re dealing with. I need to wise up a bit.
- This book is finally coming out of the lull that it was treading water in for a number of months.
- Next month: Siege! Maybe we’ll begin to unravel the mystery of how long Loki has been controlling major players in the Marvel Universe. If this is an event 7 years in the making, is he the culprit of House of M, Civil War, Secret Invasion, et cetera?
- Some people may think that having two artists’ work in one book would detract from it, but I think it works in this instance. That said, I thought it worked much better in the last issue.
- The dialogue near the end of the issue was a bit wasteful with all of the “ums” and “uhs” I know that the rest of the Dark Avengers are dumbfounded, I can see the looks on their faces. I guess I just wanted more of a conclusive ending to the scene. I suppose they were all too shocked to speak.
- In this issue, we see Venom (posing as Spider-Man) looking “normal” in public. In previous issues he’s been drawn in full Venom symbiote freak out mode when in public, even if not in battle. The lack of consistency is a bit jarring.
- A few of the panels were re-used a bit cheaply for effect.
- When I saw Horn’s name on the cover, I was looking forward to a chunk of painted pages from him, but his art was used sparingly. At least the first page was delicious.
- Deodato must be married to a female contortionist. His women, especially Victoria Hand, twist their bodies into pretzels and have the consistency of a Stretch Armstrong doll.
- This story arc just ended, as far as I can tell, and I feel like we spent 2 issues meandering when we could have been having more fun with Molecule Man and his imaginary/molecular “friends”.